Grosso of 4 denaros - In name of Frederick

发行方 City of Bergamo (Italian States)
年份 1236-1250
类型 Standard circulation coin
面值 Grosso of 4 denaros (1⁄60)
货币 Lira (1428-1595)
材质 Silver
重量 1.4 g
直径 18 mm
厚度
形状 Round (irregular)
制作工艺 Hammered
方向 Variable alignment ↺
雕刻师
流通至
参考资料 MEC XII#397 - 403 , MIR#17 , Biaggi#352
正面描述 Church with two crennelated towers flanking central steeple, above four arches. Legend from left, symbols flanking cross atop steeple.
正面文字 Latin
正面铭文 PGA MVN
(Translation: Bergamo)
背面描述 Laureate, diademed and draped bust right. Legend from left.
背面文字 Latin
背面铭文 IMPRT FREDERI CVS
(Translation: Emperor Frederick)
边缘
铸币厂
铸造量 ND (1236-1250) - Cross left, crescent right -
ND (1236-1250) - Two stars -
ND (1236-1250) - No symbol -
ND (1236-1250) - Two annulets -
ND (1236-1250) - Two crescents -
ND (1236-1250) - Cross at right -
Numisquare 编号 1091444370
附加信息

Historical Context:This Bergamo Grosso (1236-1250) is pivotal from Frederick II Hohenstaufen's reign. Bergamo, a key Lombard imperial city, balanced Ghibelline loyalty with communal autonomy. The "in name of Frederick" legend asserts imperial suzerainty over northern Italian mints, even as Bergamo issued new, heavier silver denominations. This period of intense conflict with the Lombard League makes such imperial acknowledgement a nuanced political statement, reflecting pragmatic power balance and urban economy demanding substantial currency.

Artistry:The engraver for this Bergamo Grosso is anonymous, typical for 13th-century communal mints. Stylistically, it bridges Romanesque rigidity and early Gothic influences, with evident local workshop aesthetics. Iconography features S. Alessandro, often with halo and lance, on one side, and a cross or imperial eagle on the reverse, surrounded by legends. Execution, though robust, favors stylized representation and symbolic clarity, reflecting practical civic mint demands.

Technical/Grading:For optimal grading, prioritize legibility of obverse/reverse legends, especially "FREDERICUS" and "BERGOMI," often weakly struck or off-center. High points of relief—saint's head/halo or eagle's breast/wings—are highly susceptible to wear, obscuring critical details. Clarity of central devices, including attributes or definition, is paramount. Irregular flans and minor clipping are common and tolerated; severe defects or clipping detrimentally affect evaluation.

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