Grosso of 4 denaros - In name of Frederick

発行体 City of Bergamo (Italian States)
年号 1236-1250
種類 Standard circulation coin
額面 Grosso of 4 denaros (1⁄60)
通貨 Lira (1428-1595)
材質 Silver
重量 1.4 g
直径 18 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き Variable alignment ↺
彫刻師
流通終了年
参考文献 MEC XII#397 - 403 , MIR#17 , Biaggi#352
表面の説明 Church with two crennelated towers flanking central steeple, above four arches. Legend from left, symbols flanking cross atop steeple.
表面の文字体系 Latin
表面の銘文 PGA MVN
(Translation: Bergamo)
裏面の説明 Laureate, diademed and draped bust right. Legend from left.
裏面の文字体系 Latin
裏面の銘文 IMPRT FREDERI CVS
(Translation: Emperor Frederick)
鋳造所
鋳造数 ND (1236-1250) - Cross left, crescent right -
ND (1236-1250) - Two stars -
ND (1236-1250) - No symbol -
ND (1236-1250) - Two annulets -
ND (1236-1250) - Two crescents -
ND (1236-1250) - Cross at right -
Numisquare ID 1091444370
追加情報

Historical Context:This Bergamo Grosso (1236-1250) is pivotal from Frederick II Hohenstaufen's reign. Bergamo, a key Lombard imperial city, balanced Ghibelline loyalty with communal autonomy. The "in name of Frederick" legend asserts imperial suzerainty over northern Italian mints, even as Bergamo issued new, heavier silver denominations. This period of intense conflict with the Lombard League makes such imperial acknowledgement a nuanced political statement, reflecting pragmatic power balance and urban economy demanding substantial currency.

Artistry:The engraver for this Bergamo Grosso is anonymous, typical for 13th-century communal mints. Stylistically, it bridges Romanesque rigidity and early Gothic influences, with evident local workshop aesthetics. Iconography features S. Alessandro, often with halo and lance, on one side, and a cross or imperial eagle on the reverse, surrounded by legends. Execution, though robust, favors stylized representation and symbolic clarity, reflecting practical civic mint demands.

Technical/Grading:For optimal grading, prioritize legibility of obverse/reverse legends, especially "FREDERICUS" and "BERGOMI," often weakly struck or off-center. High points of relief—saint's head/halo or eagle's breast/wings—are highly susceptible to wear, obscuring critical details. Clarity of central devices, including attributes or definition, is paramount. Irregular flans and minor clipping are common and tolerated; severe defects or clipping detrimentally affect evaluation.

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