Gold Ecu - Joan of Albret

Emitent Béarn, Lordship of
Rok 1565
Typ Standard circulation coin
Nominał 1 Gold Ecu
Waluta Livre
Skład Gold
Waga
Średnica
Grubość
Kształt Round
Technika Milled
Orientacja Coin alignment ↑↓
Rytownik(zy)
W obiegu do
Źródło(a) PA#3436 féodales#1302
Opis awersu Complex cross with two crowns and two I`s in angles.
Pismo awersu Latin
Legenda awersu IOANA DEI G REG NAVAR D B
(Translation: Joan, by the grace of god, queen of Navarra and lady of Bearn.)
Opis rewersu Crowned arms flanked by two crowned I`s.
Pismo rewersu Latin
Legenda rewersu G DEI SVM ID QVOD SVM 1565 P
(Translation: By the grace of god, I am what I am.)
Krawędź
Mennica P
Pau, France
Nakład 1565 P - -
ID Numisquare 1945752960
Dodatkowe informacje

Historical Context: This Gold Ecu, dated 1565, was issued under Joan of Albret (Jeanne d'Albret), the formidable Queen of Navarre and sovereign of Béarn. During a period defined by the French Wars of Religion, Joan was a staunch leader of the Huguenot cause. This coinage from the Lordship of Béarn underscores her independent authority and commitment to Protestantism, positioning her realm as a significant political and religious entity distinct from the French crown. Her coinage thus serves as a tangible symbol of her sovereignty and defiance.

Artistry: While the specific engraver remains unrecorded, the coin reflects the prevailing Renaissance aesthetic, adapted for regional coinage. The obverse typically features a crowned escutcheon displaying the combined arms of Navarre (chains) and Béarn (two cows), encircled by her titulature. The reverse commonly exhibits an ornate cross, often fleury or with lilies in the angles, surrounded by a religious motto or mint signature. The design emphasizes dynastic legitimacy and religious conviction through its heraldic and symbolic elements, characteristic of the era's royal issues.

Technical/Grading: For optimal grading, collectors should assess the sharpness of the crown details and the intricate heraldry on the shield, particularly the chains of Navarre and the cows of Béarn. The central elements and terminals of the reverse cross are also critical high-points. Due to manual striking techniques of the era, slight planchet irregularities or minor weakness in strike, especially on the highest relief areas, are common. Strong luster retention and good centering are highly desirable attributes for this scarce and historically significant issue.

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