Gold Ecu - Joan of Albret

صادرکننده Béarn, Lordship of
سال 1565
نوع Standard circulation coin
ارزش 1 Gold Ecu
واحد پول Livre
ترکیب Gold
وزن
قطر
ضخامت
شکل Round
تکنیک Milled
جهت Coin alignment ↑↓
حکاک(ها)
در گردش تا
مرجع(ها) PA#3436 féodales#1302
توضیحات روی سکه Complex cross with two crowns and two I`s in angles.
خط روی سکه Latin
نوشته‌های روی سکه IOANA DEI G REG NAVAR D B
(Translation: Joan, by the grace of god, queen of Navarra and lady of Bearn.)
توضیحات پشت سکه Crowned arms flanked by two crowned I`s.
خط پشت سکه Latin
نوشته‌های پشت سکه G DEI SVM ID QVOD SVM 1565 P
(Translation: By the grace of god, I am what I am.)
لبه
ضرابخانه P
Pau, France
تیراژ ضرب 1565 P - -
شناسه Numisquare 1945752960
اطلاعات تکمیلی

Historical Context: This Gold Ecu, dated 1565, was issued under Joan of Albret (Jeanne d'Albret), the formidable Queen of Navarre and sovereign of Béarn. During a period defined by the French Wars of Religion, Joan was a staunch leader of the Huguenot cause. This coinage from the Lordship of Béarn underscores her independent authority and commitment to Protestantism, positioning her realm as a significant political and religious entity distinct from the French crown. Her coinage thus serves as a tangible symbol of her sovereignty and defiance.

Artistry: While the specific engraver remains unrecorded, the coin reflects the prevailing Renaissance aesthetic, adapted for regional coinage. The obverse typically features a crowned escutcheon displaying the combined arms of Navarre (chains) and Béarn (two cows), encircled by her titulature. The reverse commonly exhibits an ornate cross, often fleury or with lilies in the angles, surrounded by a religious motto or mint signature. The design emphasizes dynastic legitimacy and religious conviction through its heraldic and symbolic elements, characteristic of the era's royal issues.

Technical/Grading: For optimal grading, collectors should assess the sharpness of the crown details and the intricate heraldry on the shield, particularly the chains of Navarre and the cows of Béarn. The central elements and terminals of the reverse cross are also critical high-points. Due to manual striking techniques of the era, slight planchet irregularities or minor weakness in strike, especially on the highest relief areas, are common. Strong luster retention and good centering are highly desirable attributes for this scarce and historically significant issue.

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