目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Highly stylised and disjointed Celtic interpretation of the head of Apollo, rendered in the characteristically abstract La Tène artistic tradition. The facial features are reduced to a series of curvilinear relief elements, with sinuous lines suggesting the hair and jaw, set against a plain field. To the right of the design, a regular grid arrangement of nine pellets fills the field, a motif derived from the laurel wreath of the Classical prototype. No legend or inscription is present, consistent with Durotrigan coinage of this period. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | ND (65 BC - 58 BC) |
| 附加信息 |
The Durotriges occupied the hillforts of modern Dorset and Somerset, and their coinage represents one of the most dramatic degradation sequences in Celtic numismatics — each generation of dies drifting further from the original Macedonian gold stater prototype until the imagery dissolved almost entirely into abstract geometry. This quarter stater sits near the end of that process.
By the late first century BC, Durotrigan gold was already giving way to a debased cast bronze coinage, one of the few Celtic groups to make that transition before the Claudian invasion ended their minting entirely in 43 AD.