Catálogo
| Emissor | Salerno, Principality of |
|---|---|
| Ano | 1052-1077 |
| Tipo | Standard circulation coin |
| Valor | 1 Follis = 1⁄288 Solidus |
| Moeda | Solidus (839-1077) |
| Composição | Bronze |
| Peso | 2.21 g |
| Diâmetro | 21 mm |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | Variable alignment ↺ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | MEC XIV#31, CNI XVIII#10, MIR#543 |
| Descrição do anverso | Bust facing right with legend in front. |
|---|---|
| Escrita do anverso | Latin |
| Legenda do anverso |
CISVLFV (Translation: Gisulf.) |
| Descrição do reverso | Stacked legend. |
| Escrita do reverso | Latin |
| Legenda do reverso |
ME NS EO OCTVB R (Translation: Month of October.) |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (1052-1077) - - |
| ID Numisquare | 3830596580 |
| Informações adicionais |
Historical Context: The Follis of Gisulf II (1052-1077) from Salerno is a numismatic artifact marking the final Lombard princely rule in Southern Italy. Gisulf II, the last independent Prince, reigned during intense Norman expansion under Robert Guiscard. His principality, a regional power, fell to Norman conquest in 1077. This bronze follis thus serves as a tangible economic indicator of profound political instability, representing the twilight of an era before complete Normanization.
Artistry: The artistry of this follis, while anonymous, reflects common eleventh-century Southern Italian bronze coinage styles. It blends Byzantine influences with local Lombardic interpretations, prioritizing legibility. The obverse often features a stylized bust of Christ Pantocrator or a saint, rendered frontally. The reverse commonly displays the prince's name or monogram, frequently in a cruciform arrangement, surrounded by a legend. The aesthetic is functional, indicative of coinage for practical local commerce.
Technical/Grading: This 21 mm, 2.21 gram bronze follis often presents typical production flaws. Irregular flan shapes and off-center strikes frequently obscure design or legend elements. High-points, such as Christ's facial features or halo, commonly suffer from weak striking pressure, resulting in flatness. Central reverse elements or outermost legend letters can also be weakly struck or off-flan. A superior example exhibits a strong, even strike with clear legends and discernible iconographic details.