Catálogo
| Emisor | Salerno, Principality of |
|---|---|
| Año | 1052-1077 |
| Tipo | Standard circulation coin |
| Valor | 1 Follis = 1⁄288 Solidus |
| Moneda | Solidus (839-1077) |
| Composición | Bronze |
| Peso | 2.21 g |
| Diámetro | 21 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | Variable alignment ↺ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | MEC XIV#31, CNI XVIII#10, MIR#543 |
| Descripción del anverso | Bust facing right with legend in front. |
|---|---|
| Escritura del anverso | Latin |
| Leyenda del anverso |
CISVLFV (Translation: Gisulf.) |
| Descripción del reverso | Stacked legend. |
| Escritura del reverso | Latin |
| Leyenda del reverso |
ME NS EO OCTVB R (Translation: Month of October.) |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1052-1077) - - |
| ID de Numisquare | 3830596580 |
| Información adicional |
Historical Context: The Follis of Gisulf II (1052-1077) from Salerno is a numismatic artifact marking the final Lombard princely rule in Southern Italy. Gisulf II, the last independent Prince, reigned during intense Norman expansion under Robert Guiscard. His principality, a regional power, fell to Norman conquest in 1077. This bronze follis thus serves as a tangible economic indicator of profound political instability, representing the twilight of an era before complete Normanization.
Artistry: The artistry of this follis, while anonymous, reflects common eleventh-century Southern Italian bronze coinage styles. It blends Byzantine influences with local Lombardic interpretations, prioritizing legibility. The obverse often features a stylized bust of Christ Pantocrator or a saint, rendered frontally. The reverse commonly displays the prince's name or monogram, frequently in a cruciform arrangement, surrounded by a legend. The aesthetic is functional, indicative of coinage for practical local commerce.
Technical/Grading: This 21 mm, 2.21 gram bronze follis often presents typical production flaws. Irregular flan shapes and off-center strikes frequently obscure design or legend elements. High-points, such as Christ's facial features or halo, commonly suffer from weak striking pressure, resulting in flatness. Central reverse elements or outermost legend letters can also be weakly struck or off-flan. A superior example exhibits a strong, even strike with clear legends and discernible iconographic details.