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| 正面描述 | Two standing imperial figures facing, each holding a long cross-staff; a smaller cross on steps appears between them in the field. The figures are rendered in a debased Byzantine imperial style, with schematic drapery and simplified facial features characteristic of early Arab-Byzantine transitional coinage. The composition closely imitates late Byzantine folles of the standing-emperor type. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Large capital M (mark of value) centrally placed, surmounted by a cross above and flanked by subsidiary letters in the field. A mint name inscription appears below the M in Arabic, with a corresponding Greek legend alongside. The overall layout follows the Byzantine follis reverse convention, adapted by the early Umayyad administration. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Produced in the transitional decades after the Arab conquest of Byzantine Syria, these coins were deliberately modeled on Byzantine copper issues still circulating in the region — a pragmatic decision by Umayyad administrators who understood that a familiar coin face inspired market confidence far better than an unfamiliar one. The caliphate would not develop a fully independent coinage until Abd al-Malik's sweeping monetary reform of 696–697 CE, which abolished figural imagery entirely.
Album 3513 encompasses considerable variety in mint and execution; attribution of individual specimens to specific Syrian mints remains contested.