目录
| 发行方 | Ilkhanate |
|---|---|
| 年份 | 1256-1265 |
| 类型 | Standard circulation coin |
| 面值 | 1 Fals (1⁄60) |
| 货币 | Dinar (1256-1388) |
| 材质 | Copper |
| 重量 | 2.16 g |
| 直径 | 21 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Coin alignment ↑↓ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | A#2125.3 |
| 正面描述 | Hare (left sided) with inscriptions |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | La ilah illa allah wahdahu la sharikalahu muhammad rasul allah |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | Rough |
| 铸币厂 | |
| 铸造量 |
ND (1256-1265) - 654-663AH (Unknown mint and date) - |
| Numisquare 编号 | 5856875590 |
| 附加信息 |
Historical Context: This copper fals dates to the foundational years of the Ilkhanate (1256-1265) under its eponymous founder, Hulagu Khan, grandson of Genghis Khan. His reign marked a pivotal moment in Islamic history, most notably with the sack of Baghdad in 1258 and the overthrow of the Abbasid Caliphate. This coin, issued early in his rule, represents the nascent stages of Mongol dominion over Persia and Mesopotamia, symbolizing the establishment of a new imperial order following centuries of Islamic caliphal authority.
Artistry: The engraver of this fals, like most medieval coin artisans, remains anonymous, likely part of a mint workshop operating under local Ilkhanid administration. Stylistically, it belongs to the early Ilkhanid school, characterized by a utilitarian aesthetic often prioritizing legibility over elaborate decoration. Designs typically feature the ruler's name and titles in Kufic or Naskh script, sometimes accompanied by a Mongol tamgha or simple geometric patterns, reflecting a blend of traditional Islamic epigraphy and nascent Mongol imperial symbolism.
Technical/Grading: Measuring 21 mm and weighing 2.16 gg, this copper fals exhibits characteristics common to its type. Copper coinage of this era frequently suffers from weak strikes, resulting in incomplete legends or design elements, particularly at the periphery. Off-center strikes and irregular planchet shapes are also prevalent. High-points susceptible to wear include the central inscriptions and any raised decorative motifs, which would typically show flattening even on well-preserved examples.