Catálogo
| Emissor | Samarqand, City of |
|---|---|
| Ano | 1427-1429 |
| Tipo | Standard circulation coin |
| Valor | |
| Moeda | Falus (1420-1785) |
| Composição | Copper |
| Peso | 7.3 g |
| Diâmetro | |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered, Countermarked |
| Orientação | Variable alignment ↺ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | Zeno cat#21600 |
| Descrição do anverso | Mint name, countermark. |
|---|---|
| Escrita do anverso | Arabic |
| Legenda do anverso |
(Translation: Fals copper coin mint Samarqand) |
| Descrição do reverso | Year |
| Escrita do reverso | Arabic |
| Legenda do reverso |
(Translation: year 832.) |
| Bordo | |
| Casa da moeda | |
| Tiragem |
830 (1427) - - 832 (1429) - - |
| ID Numisquare | 5224525580 |
| Informações adicionais |
Historical Context: This copper fals was issued by Samarqand between 1427 and 1429, during the reign of the Timurid ruler Ulugh Beg (1409-1449). As the illustrious capital, Samarqand was a global center of learning, art, and commerce. Ulugh Beg, a renowned astronomer and patron, oversaw a period of cultural flourishing. These low-denomination fals were essential for daily transactions, reflecting the era’s prosperity and sophisticated monetary system.
Artistry: While the specific engraver is unknown, this fals exemplifies the distinctive Timurid numismatic aesthetic. Designs typically feature elegant Kufic or Thuluth script, often arranged in intricate patterns or around a central motif. Common artistic choices for Samarqand fals include zoomorphic representations, such as a stylized lion or sun-face, or complex geometric knotwork. The execution, even on a utilitarian copper coin, demonstrates commitment to calligraphic precision and symbolic imagery.
Technical/Grading: Struck on a substantial copper flan weighing 7.3 grams, this fals typically exhibits a broad but often irregular planchet. High-points for wear or strike weakness include the central motif, calligraphy extremities, and decorative elements. Copper fals of this period frequently show hurried production: off-center strikes, minor flan cracks, or weak impressions, particularly at the edges. A well-centered strike with clear legends and a discernible central device would be exceptional.