Dünnpfennig - Theodorich

Đơn vị phát hành Bishopric of Basel
Năm 1041-1055
Loại Standard circulation coin
Mệnh giá 1 Dünnpfennig = 1/2 Pfennig
Tiền tệ Pfennig (999-1122)
Chất liệu Silver
Trọng lượng
Đường kính
Độ dày
Hình dạng Round
Kỹ thuật Hammered
Hướng
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo HMZ 1#193
Mô tả mặt trước
Chữ viết mặt trước
Chữ khắc mặt trước T HE DE RIOCI
Mô tả mặt sau
Chữ viết mặt sau
Chữ khắc mặt sau BA SI LEA
Cạnh
Xưởng đúc
Số lượng đúc ND (1041-1055) - -
ID Numisquare 6375210280
Thông tin bổ sung

Historical Context: The Dünnpfennig of Theodorich, issued by the Bishopric of Basel between 1041-1055, marks a significant era for the see under Bishop Theodorich von Montfaucon. Exercising substantial temporal power within the Salian Holy Roman Empire, the bishop's right to mint coinage, a key regalian privilege, underscored Basel's increasing economic and political autonomy. This coin served as a crucial medium of exchange, reflecting the bishop's authority and the city's strategic importance in regional trade.

Artistry: The artistry of this Dünnpfennig, like many coins of the early Romanesque period, reflects the prevailing stylistic conventions of the 11th century. Engravers, likely anonymous artisans working within the episcopal mint, produced designs characterized by a stylized, often somewhat crude, yet symbolically potent aesthetic. Typical motifs for the period and issuer would include a central cross, a simplified bust of the bishop, or an architectural element, surrounded by an inscription identifying the bishop and mint. The design prioritizes legibility of the core symbols over intricate detail.

Technical/Grading: As a Dünnpfennig, struck on a broad, thin flan, this coin exhibits characteristic technical qualities. High-points prone to wear typically include the central design elements, such as cross arms or the highest relief of a bust, and the outer rim where the legend is often weakly struck. Common strike issues include off-center strikes, partial strikes from insufficient pressure, and planchet irregularities like cracks or laminations, typical for the fabrication methods of the era.

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