カタログ
| 発行体 | Bishopric of Basel |
|---|---|
| 年号 | 1041-1055 |
| 種類 | Standard circulation coin |
| 額面 | 1 Dünnpfennig = 1/2 Pfennig |
| 通貨 | Pfennig (999-1122) |
| 材質 | Silver |
| 重量 | |
| 直径 | |
| 厚さ | |
| 形状 | Round |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HMZ 1#193 |
| 表面の説明 | |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | T HE DE RIOCI |
| 裏面の説明 | |
| 裏面の文字体系 | |
| 裏面の銘文 | BA SI LEA |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1041-1055) - - |
| Numisquare ID | 6375210280 |
| 追加情報 |
Historical Context: The Dünnpfennig of Theodorich, issued by the Bishopric of Basel between 1041-1055, marks a significant era for the see under Bishop Theodorich von Montfaucon. Exercising substantial temporal power within the Salian Holy Roman Empire, the bishop's right to mint coinage, a key regalian privilege, underscored Basel's increasing economic and political autonomy. This coin served as a crucial medium of exchange, reflecting the bishop's authority and the city's strategic importance in regional trade.
Artistry: The artistry of this Dünnpfennig, like many coins of the early Romanesque period, reflects the prevailing stylistic conventions of the 11th century. Engravers, likely anonymous artisans working within the episcopal mint, produced designs characterized by a stylized, often somewhat crude, yet symbolically potent aesthetic. Typical motifs for the period and issuer would include a central cross, a simplified bust of the bishop, or an architectural element, surrounded by an inscription identifying the bishop and mint. The design prioritizes legibility of the core symbols over intricate detail.
Technical/Grading: As a Dünnpfennig, struck on a broad, thin flan, this coin exhibits characteristic technical qualities. High-points prone to wear typically include the central design elements, such as cross arms or the highest relief of a bust, and the outer rim where the legend is often weakly struck. Common strike issues include off-center strikes, partial strikes from insufficient pressure, and planchet irregularities like cracks or laminations, typical for the fabrication methods of the era.