| 発行体 | Kidarite Kingdom |
|---|---|
| 年号 | 388-399 |
| 種類 | Standard circulation coin |
| 額面 | Drachm (1) |
| 通貨 | Drachm (380-477) |
| 材質 | Silver |
| 重量 | 3.53 g |
| 直径 | 26 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Coin alignment ↑↓ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | SNS Schaaf#III, Göbl Kushan#pl. 6, VII-4 |
| 表面の説明 | Bust of Varhran /Bahram/ IV |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Fire altar |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | Plain |
| 鋳造所 | |
| 鋳造数 |
ND (388-399) - Taxila mint - |
| Numisquare ID | 1403231440 |
| 追加情報 |
Historical Context: This silver drachm, minted at Taxila (388-399 CE), represents a pivotal era for the Kidarite Kingdom. A powerful Hunnic tribe, the Kidarites asserted dominance in Gandhara and Punjab, challenging Sasanian authority. Imitating Sasanian Varhran IV's coinage, this issue signifies the Kidarites' strategic adoption of established regional monetary systems. It legitimized their rule and facilitated commerce, reflecting their sovereignty and adaptation of foreign numismatic styles in expanding territories.
Artistry: Adhering to Sasanian artistic tradition, the coin features a regal bust on the obverse and a Zoroastrian fire altar on the reverse. While inspired by Varhran IV's prototypes, the Kidarite rendition from the Taxila mint exhibits a distinct stylistic interpretation. Local engravers adapted Sasanian iconography, often resulting in a more stylized or simplified aesthetic compared to official Sasanian issues. This artistic adaptation subtly infused Kidarite cultural identity into the recognized Sasanian numismatic language.
Technical/Grading: Struck on a 26 mm flan and weighing 3.53 grams, this drachm fits the type's expected parameters, though slightly lighter than some contemporary Sasanian issues. High-points for preservation include the crown's intricate details, the ruler's facial features, and the fire altar's flame. As an imitation, strike quality varies; well-preserved examples show competent strikes, though often with some flattening or less precise rendering of finer details compared to Sasanian originals. Attribution is confirmed by SNS Schaaf#III and Göbl Kushan#pl. 6, VII-4.