Drachm - Ariobarzanes III

発行体 Kings of Cappadokia
年号 51 BC - 42 BC
種類 Standard circulation coin
額面 1 Drachm
通貨 Drachm
材質 Silver
重量 3.80 g
直径 15 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き Variable alignment ↺
彫刻師
流通終了年
参考文献 HGC 7#853
表面の説明 Diademed head of Ariobarzanes III, right
表面の文字体系
表面の銘文
裏面の説明 Athena standing left, holding Nike, spear and shield resting on ground to right. Star over crescent in left field, monogram in right field.
裏面の文字体系 Greek
裏面の銘文 ΒΑΣΙΛΕΩΣ ΑΡΙΟΒΑΡΖΑΝΟΥ ΕΥΣΕΒΟΥΣ ΦΙΛΟΡΩΜΑΙΟΝ
(Translation: King Ariobarzanes (III), Pius and Friend of the Romans)
鋳造所
鋳造数 ? - -
ND (51 BC - 42 BC) - -
Numisquare ID 1947522650
追加情報

Historical Context: This silver drachm was issued by Ariobarzanes III Eusebes Philoromaios, King of Cappadokia, from 51 to 42 BC. His reign coincided with the Roman civil wars, which profoundly impacted client kingdoms. Initially backed by Pompey, Ariobarzanes later aligned with Julius Caesar, earning him the epithet "Philoromaios" (Friend of the Romans). His precarious position ultimately led to his execution by Cassius Longinus in 42 BC, highlighting pervasive Roman influence and the tumultuous nature of Cappadokian independence.

Artistry: While the engraver is anonymous, this drachm exemplifies late Hellenistic numismatic tradition, subtly incorporating Roman stylistic preferences. The obverse features a finely rendered, diademed portrait of Ariobarzanes III, typically facing right, showcasing individualized physiognomy amidst idealized royal features. The reverse commonly depicts Athena Nikephoros, standing left, holding Nike and a spear, with a shield. The Greek legend, ΒΑΣΙΛΕΩΣ ΑΡΙΟΒΑΡΖΑΝΟΥ ΕΥΣΕΒΟΥΣ ΚΑΙ ΦΙΛΟΡΩΜΑΙΟΥ, encircles the deity, identifying the issuer and his pro-Roman stance.

Technical/Grading: Struck in silver, this drachm weighs 3.80 grams and measures approximately 15 millimeters. Key high-points for wear assessment include the ruler's hair, diadem, nose, and chin on the obverse, and Athena's head, drapery, and attributes on the reverse. Strike quality varies; centering and die alignment often show minor imperfections typical of ancient hand-struck coinage. A well-preserved example retains sharp detail, particularly in the portrait and reverse deity, with minimal flan irregularities and an appealing natural patina.

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