Danh mục
| Đơn vị phát hành | Kings of Cappadokia |
|---|---|
| Năm | 63 BC - 51 BC |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Drachm |
| Tiền tệ | Drachm |
| Chất liệu | Silver |
| Trọng lượng | 3.51 g |
| Đường kính | 17 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo |
| Mô tả mặt trước | Diademed head right. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Athena standing left, holding Nike and resting other hand on shield with spear. |
| Chữ viết mặt sau | Greek |
| Chữ khắc mặt sau | ΒΑΣΙΛEΩΣ ΑΡΙOBARZANOV ΦIΛOΠATOPOΣ |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (63 BC - 51 BC) - - |
| ID Numisquare | 8210458410 |
| Thông tin bổ sung |
Historical Context: This silver drachm was issued by Ariobarzanes II Philopator, King of Cappadocia (63-51 BC). His reign occurred during a critical phase of increasing Roman influence in Asia Minor. As a Roman client king, his rule was marked by instability and reliance on Roman patronage. His assassination highlights the precarious autonomy of regional rulers under burgeoning Roman imperial power, making these coins crucial numismatic evidence of a kingdom navigating complex geopolitical pressures.
Artistry: The coin's design reflects established Hellenistic stylistic conventions, likely by local Cappadocian engravers. The obverse features a diademed portrait of Ariobarzanes II facing right, displaying idealized yet individualized royal features. The reverse consistently depicts Athena Nikephoros seated left, holding Nike and a spear, with a shield. This iconic imagery linked the ruler to divine favor and military success, reinforcing legitimacy, often inscribed ΒΑΣΙΛΕΩΣ ΑΡΙΟΒΑΡΖΑΝΟΥ ΦΙΛΟΠΑΤΟΡΟΣ.
Technical/Grading: Struck in silver, this drachm measures 17 millimeters and weighs 3.51 grams, consistent with Cappadocian standards. High-points for wear on the obverse include the hair over the forehead and the diadem. On the reverse, critical areas are Athena's knee, helmet, and the Nike figure. Strike quality varies; optimal examples show sharp details on both portraiture and reverse iconography with good centering. Less precise strikes may exhibit off-centering or weaker reverse details, typical for issues of this era.