Drachm

発行体 Gaza
年号 400 BC - 350 BC
種類 Standard circulation coin
額面 1 Drachm
通貨 Drachm
材質 Silver
重量 3.29 g
直径 15 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き
彫刻師
流通終了年
参考文献 GCV#6068, Gitler/Tal#25Da
表面の説明 Bearded head right, wearing crested Corinthian-type helmet
表面の文字体系
表面の銘文
裏面の説明 Bearded deity seated right on winged wheel, holding falcon on extended left hand; bald-headed and bearded mask at right.
裏面の文字体系 Aramaic
裏面の銘文
鋳造所
鋳造数 ND (400 BC - 350 BC) - -
Numisquare ID 5882655880
追加情報

Historical Context: Issued by the prominent city of Gaza between 400 and 350 BC, this silver drachm belongs to a period of significant economic and political activity under Achaemenid Persian suzerainty. Gaza, a crucial trade nexus on the coastal route connecting Egypt with the Levant and Mesopotamia, enjoyed a degree of administrative autonomy that allowed for the minting of its own distinctive coinage. The production of such currency underscores Gaza's strategic importance, its robust commercial infrastructure, and its unique identity within the broader Persian Empire, facilitating regional trade and asserting local authority.

Artistry: The artistry of this Gaza drachm reflects the prevalent Greco-Persian stylistic synthesis characteristic of Syro-Phoenician numismatics. While the specific engraver remains unnamed, the obverse typically features a diademed male head, often interpreted as a depiction of the Achaemenid king or a local patron deity, rendered with a provincial yet refined Greek aesthetic. The reverse commonly showcases a gazelle standing right, its head turned left, a well-known visual pun on the city's name (Hebrew: 'Azzah, related to 'ez, 'goat' or 'gazelle'), or an owl, symbolizing wisdom and trade, executed with notable detail for its small scale.

Technical/Grading: This 15mm silver drachm, weighing approximately 3.29 grams, often presents technical characteristics common to ancient hand-struck issues. Key high-points for assessing strike quality and wear include the diadem, eye, and beard on the obverse portrait, and the horns, musculature, and outline of the gazelle on the reverse. Due to the manual striking process and small flan size, examples frequently exhibit minor off-centering, irregular planchet shapes, or areas of light strike, particularly on the periphery. Well-centered specimens with a full strike on all major design elements are highly sought after by collectors.

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