| Emittent | Odryssa, Kingdom of |
|---|---|
| Jahr | 407 BC - 369 BC |
| Typ | Standard circulation coin |
| Nennwert | Diobol (⅓) |
| Währung | Drachm |
| Material | Silver |
| Gewicht | 1 g |
| Durchmesser | 11 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | Peykov 1#B0390, Y`92#31, Moush`25#29, Moush`12#5695, Dobruski#Pl. III, 4 |
| Aversbeschreibung | Satyr with horse tail kneeling, facing left, holding kantharos in right hand. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Wine krater in incuse square. |
| Reversschrift | Greek |
| Reverslegende | ΣΑΡ ΑΤΟ |
| Rand | |
| Prägestätte | |
| Auflage |
ND (407 BC - 369 BC) - - |
| Numisquare-ID | 1673915890 |
| Zusätzliche Informationen |
Historical Context: This Diobol, Saratokos Type III, was issued by the Kingdom of Odryssa under King Saratokos, active circa 407-369 BC. This late Classical period saw Thracian rulers asserting sovereignty through coinage. As a likely sub-ruler within the powerful Odrysian confederation, Saratokos's issues were vital for local commerce and mercenary payments, reflecting his kingdom's economic independence and engagement with the wider Hellenic and Persian spheres.
Artistry: While the engraver remains anonymous, this Diobol exemplifies the vigorous local interpretation of Hellenic artistic conventions prevalent in Thrace. Typically, the obverse features a robustly rendered male head, possibly Dionysus or a stylized ruler portrait, characterized by bold features and a distinctive Thracian sensibility. The reverse commonly displays an animal or symbol, executed with a dynamic, albeit simplified, aesthetic. This approach, inspired by Greek prototypes, maintains a unique regional identity.
Technical/Grading: This 1-gram, 11-millimeter silver diobol typically exhibits a compact fabric, characteristic of small Thracian issues. High-points for wear include the prominent features of the obverse head, such as hair, nose, or chin, and any raised elements on the reverse motif. Strike quality varies; off-centering and slight die wear are common. The small flan size often means the full die impression is rarely captured, yet well-preserved specimens reveal intricate detail.