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| 背面描述 | Central field features a facing bust or figure, likely a second representation of Archangel Michael or a Christ bust in the Byzantine tradition, rendered in a schematic, flat style consistent with late 14th-century Serbian hammered coinage. The Christogram legend IC XC in Cyrillic characters is placed in the field flanking the central motif, serving as a devotional inscription. The flan is small, thin, and irregular, with typical die-shift and weak strike areas around the periphery. |
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| 边缘 | Plain |
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| 附加信息 |
Stefan Lazarević struck these coins during the most precarious stretch of medieval Serbian history — the years immediately following the Battle of Kosovo in 1389, in which his father Lazar was killed and Serbia reduced to an Ottoman vassal state. Stefan himself fought at Kosovo as a teenager, then spent the following years navigating between Bayezid I's court and his own fractured nobility. The choice of Archangel Michael as the devotional figure was not incidental; Michael held particular significance as protector of warriors and the dead, a resonance that would have been unmistakable to anyone who had survived Kosovo.