Catalog
| Issuer | Motya |
|---|---|
| Year | 410 BC - 405 BC |
| Type | Standard circulation coin |
| Value | Didrachm (10) |
| Currency | Litra |
| Composition | Silver |
| Weight | 7.70 g |
| Diameter | 20 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | HGC 2#927, SNG Ashmolean#1858, SNG Lockett#2503, Jenkins P1#27, Campana#8 var. |
| Obverse description | Hound standing right. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Head of female right; ivy leaf to left, [mṭv’ (in Punic) to right]. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (410 BC - 405 BC) - - |
| Numisquare ID | 7774062350 |
| Additional information |
Historical Context: This silver Didrachm, issued by Motya (410-405 BC), marks a critical juncture in Sicilian history. As a vital Punic stronghold and trading hub in western Sicily, Motya played a key role in the intensifying conflict between Carthaginian forces and Greek poleis. This coinage reflects Motya's economic vitality and strategic importance prior to its destruction by Dionysius I of Syracuse in 397 BC, serving as a rare numismatic testament to Punic power.
Artistry: The Didrachm's design typically exemplifies High Classical Greek numismatic art, even from Punic mints. While the engraver remains anonymous, the work hails from a master's workshop, characterized by refined style. The obverse commonly features a beautifully rendered head of a nymph or Arethusa, adorned with a wreath, showcasing intricate hair details and a serene expression. The reverse typically depicts a marine creature, such as a crab or octopus, emblematic of Motya's maritime identity, executed with precision.
Technical/Grading: Weighing 7.70 grams and measuring 20 mm, this Didrachm adheres to the standard weight system. Key high-points for evaluation include sharpness of the nymph's hair strands, facial features, and any adornment. On the reverse, clarity of the crab's carapace or octopus's tentacles is crucial. A well-struck example exhibits strong relief on both sides, with minimal die wear and good centering. Minor planchet irregularities or slight off-centering are common, but overall quality hinges on clear rendition of main design elements.