Katalog
| İhraççı | Athens (Attica) |
|---|---|
| Yıl | 545 BC - 515 BC |
| Tür | Standard circulation coin |
| Değer | Didrachm (2) |
| Para birimi | Drachm |
| Bileşim | Silver |
| Ağırlık | 8.35 g |
| Çap | 20.5 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered, Incuse |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Seltman Athens#20 , Weber#3420 , HGC 4#1612 , Traité I#1112 |
| Ön yüz açıklaması | Scarab beetle. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Quadripartite incuse square, divided diagonally. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (545 BC - 515 BC) - - |
| Numisquare Kimliği | 6095530050 |
| Ek bilgiler |
Historical Context: This silver Didrachm, minted in Athens (545-515 BC), signifies a pivotal era under the Peisistratid tyranny. During this period, Athens experienced substantial economic growth and cultural development. This early coinage, known as "Wappenmünzen," served as the foundational currency for the burgeoning Athenian state, facilitating commerce and state expenditures. Preceding the iconic "Owl" tetradrachms, its issuance underscores Athens' escalating regional influence and economic prowess.
Artistry: The Didrachm's design embodies the robust, early Archaic stylistic school of the late 6th century BC. While no specific engraver is known, the artistry reflects powerful, symbolic representations. The obverse, exemplified by Seltman #20, features a prominent Gorgoneion, rendered with bold, frontal symmetry. The reverse consistently displays an incuse square, characteristic of early minting, often divided by lines or patterns, indicating nascent reverse die development.
Technical/Grading: Struck on an average 8.35 gram, 20.5 mm silver flan, this Didrachm's technical execution is typical of early Archaic coinage. Key high-points on the Gorgoneion obverse include central facial features—eyes, nose, mouth—and serpentine hair, which are susceptible to wear. The strike is frequently off-center, often impacting the incuse reverse, which can appear weakly impressed or incomplete. Collectors prioritize Gorgoneion detail sharpness and incuse square completeness, acknowledging inherent striking variations.