カタログ
| 発行体 | Tripolis |
|---|---|
| 年号 | 25 BC - 24 BC |
| 種類 | Standard circulation coin |
| 額面 | Dichalkon (1⁄24) |
| 通貨 | |
| 材質 | Bronze |
| 重量 | 6.2 g |
| 直径 | 20 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | RPC I#4512 |
| 表面の説明 | Turreted and veiled head of Tyche with stylis. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Nike standing right on prow, holding wreath and palm; in right field, date LH[ΠC] |
| 裏面の文字体系 | |
| 裏面の銘文 |
ΤΡΙΠΟΛΙΤΩΝ (Translation: Tripolis) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (25 BC - 24 BC) - - |
| Numisquare ID | 4697858720 |
| 追加情報 |
Historical Context: This Dichalkon, issued by Tripolis in Phoenicia between 25 and 24 BC, dates to the formative years of the Augustan Principate. As a significant coastal city and a "free and allied" polis, Tripolis retained the right to mint its own bronze coinage for local commerce. This period saw the consolidation of Roman power under Augustus, bringing peace and stability to the eastern provinces. The coin’s circulation facilitated daily transactions, reflecting the city’s civic autonomy under Roman suzerainty.
Artistry: The anonymous engraver's work on this Dichalkon exemplifies a provincial Graeco-Roman style. This aesthetic blended local iconographic traditions with broader artistic trends of the early Roman Empire. Designs typically featured local deities, civic personifications like Tyche, or maritime symbols, executed with a robust, functional artistry. The intent was clear communication of civic identity and value, rather than elaborate sculptural detail, imbuing the coin with a distinctive local character.
Technical/Grading: Struck on a 6.2-gram, 20-millimeter bronze flan, this Dichalkon is typical in module. High-points for wear and strike quality include obverse hair and facial features, and prominent reverse elements. Provincial bronze coinage often displays varying strike precision, with off-centering, minor flan irregularities, or areas of slight weakness being common. A well-preserved example would show clear legends and distinct iconography, despite potential die wear or less-than-perfect initial strike pressure.