Dichalkon - Aischis

Emissor Argos (Argolis)
Ano 100 BC - 50 BC
Tipo Standard circulation coin
Valor Dichalkon (1⁄24)
Moeda Drachm
Composição Bronze
Peso 3.19 g
Diâmetro 15 mm
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação Variable alignment ↺
Gravador(es)
Em circulação até
Referência(s) Peloponnesos#1156 Greek#144-145 Copenhagen#79
Descrição do anverso Head of Hera right, wearing ornamented stephanos.
Escrita do anverso
Legenda do anverso
Descrição do reverso Pillar fountain; magistrate`s name in two lines across upper and lower fields; archaic heta to left, palm frond to right.
Escrita do reverso Greek
Legenda do reverso AIΣXIΣ
Bordo
Casa da moeda
Tiragem ND (100 BC - 50 BC) - -
ID Numisquare 2547024530
Informações adicionais

Historical Context: The Dichalkon of Aischis from Argos, minted between 100 and 50 BC, reflects the continued civic autonomy of this ancient Peloponnesian city during the late Hellenistic period. While Roman power expanded across Greece, Argos, a venerable city-state, maintained its right to issue local bronze coinage. The magistrate Aischis, whose name appears, likely oversaw its production, signifying local authority and the city's economic needs for smaller denominations in daily commerce. This era saw a general shift to more prevalent bronze currency for internal trade.

Artistry: This bronze dichalkon, measuring 15 mm, exemplifies late Hellenistic Greek numismatic art. While the specific engraver remains anonymous, the design would typically feature local deities, such as Hera, Argos's patron goddess, or prominent mythological figures and civic symbols associated with the city's identity. The artistry, constrained by the small flan and bronze medium, aimed to convey cultural pride through recognizable iconography, often executed with a blend of classical tradition and emerging realism.

Technical/Grading: Weighing 3.19 grams, this dichalkon typically exhibits variable strike quality, characteristic of small bronze issues from this period. High-points of the design, such as hair or facial features, or raised elements of an emblem, are often susceptible to weak striking or flattening due to insufficient pressure or worn dies. Centering can be inconsistent. A well-preserved example would boast a clear strike on both sides, with legible legends and a pleasing natural patina.

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