Catalogo
| Emittente | Bishopric of Basel |
|---|---|
| Anno | 1041-1055 |
| Tipo | Standard circulation coin |
| Valore | 1 Denier |
| Valuta | Pfennig (999-1122) |
| Composizione | Silver |
| Peso | 0.6 g |
| Diametro | |
| Spessore | |
| Forma | Round |
| Tecnica | Hammered |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | Michd Bâle#21 |
| Descrizione del dritto | Stylised towers in fields |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | ᗺ AASƎ |
| Descrizione del rovescio | |
| Scrittura del rovescio | |
| Legenda del rovescio | |
| Bordo | |
| Zecca | |
| Tiratura |
ND (1041-1055) - - |
| ID Numisquare | 5288187050 |
| Informazioni aggiuntive |
Historical Context: This Denier was issued by the Bishopric of Basel during the episcopate of Theoderich (1041-1055). The mid-11th century saw consolidation under the Salian emperors of the Holy Roman Empire, under whose suzerainty Basel lay. Bishops like Theoderich wielded significant temporal power, including the crucial right of coinage (Münzrecht). This coin serves as a tangible testament to the economic autonomy and political authority of the Basel episcopate, vital for regional trade and demonstrating the bishop's feudal prerogatives.
Artistry: The engraver of this Denier remains anonymous, typical of early medieval minting. Stylistically, the coin reflects the nascent Romanesque aesthetic prevalent in the Holy Roman Empire, characterized by symbolic rather than naturalistic representations. Designs commonly featured a cross or a simplified bust of the bishop on one side, often surrounded by his name or title. The reverse might display the city name, BASILEA, or a religious monogram. Execution by a local mint master prioritized legibility and clear identification over intricate detail.
Technical/Grading: Weighing approximately 0.6 grams of silver, this Denier represents the thin, broad flans common in this era. High-points susceptible to wear typically include the center of any cross design, the facial features of a bust, or the uppermost portions of lettering. Due to manual striking, examples often exhibit irregular flan shapes, off-center strikes, and variable strike pressure, leading to areas of weakness. A well-struck example with clear legends and minimal double striking is highly desirable for its period.