| 発行体 | Beirut, Lordship of |
|---|---|
| 年号 | 1196-1236 |
| 種類 | Standard circulation coin |
| 額面 | 1 Denier |
| 通貨 | Denier (1110-1291) |
| 材質 | Billon |
| 重量 | 0.73 g |
| 直径 | 17 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Coin alignment ↑↓ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 |
| 表面の説明 | Cross pattee with crescent in the first and fourth quarters |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | + IOhAnNes |
| 裏面の説明 | Tower |
| 裏面の文字体系 | |
| 裏面の銘文 | + DE BERITI |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1196-1236) - - |
| Numisquare ID | 1102617530 |
| 追加情報 |
Historical Context: The Denier of John of Ibelin (1196-1236) emanates from the pivotal Lordship of Beirut, a significant port city within the Crusader Kingdom of Jerusalem. John of Ibelin, known as "the Old Lord of Beirut," was a towering figure in the Latin East, serving as Constable of Jerusalem and Regent of Cyprus. His long rule over Beirut, granted to him after the Third Crusade, coincided with a complex period marked by the Fifth Crusade, the arrival of Frederick II, and persistent tensions between Frankish lords and various Muslim powers. This coinage was essential for the local economy, reflecting the need for stable currency in a Crusader state striving for self-sufficiency amidst political flux and military campaigns.
Artistry: Crusader coinage, including this Beirut denier, typically lacks identifiable engraver signatures, reflecting the functional nature of minting in the Latin East rather than a focus on individual artistic attribution. The stylistic school is broadly West European, drawing inspiration from contemporary French deniers, yet adapted to local minting conditions. The obverse features a distinctive three-tiered tower, a direct iconographic reference to Beirut's prominent fortifications, specifically the city's castle. The reverse typically displays a cross. Legends, in Latin, are often abbreviated or blundered, characteristic of the era's regional mints.
Technical/Grading: For this billon denier type, key grading high-points include the clarity and completeness of the obverse tower motif, particularly the definition of its battlements, central door, and any flanking symbols. The surrounding obverse legend, typically "IOHANNES," is frequently weakly struck or off-center; legibility is paramount. On the reverse, the definition of the central cross and any pellets or annulets in the quarters, along with the "DE BARVTH" legend, are critical. Due to the billon alloy and often hurried minting, good strikes with minimal porosity and clear legends are highly desirable for superior examples.