目录
| 发行方 | Kingdom of Bohemia |
|---|---|
| 年份 | 1003-1034 |
| 类型 | Standard circulation coin |
| 面值 | 1 Denier |
| 货币 | Denier (935-1300) |
| 材质 | Silver |
| 重量 | |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | 1210 |
| 参考资料 | Cach#253 |
| 正面描述 | |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | |
| 背面描述 | |
| 背面文字 | Latin |
| 背面铭文 | |
| 边缘 | Smooth. |
| 铸币厂 | |
| 铸造量 |
ND (1003-1034) - - |
| Numisquare 编号 | 7055131650 |
| 附加信息 |
Historical Context: The Denier of Jaromir, issued between 1003 and 1034, dates to a turbulent period in the nascent Kingdom of Bohemia. Jaromir, a Přemyslid duke, experienced multiple depositions and restorations, reflecting intense geopolitical struggles between the Holy Roman Empire and Poland. This coinage, primarily from his third and longest reign, was crucial for asserting Bohemian sovereignty and economic control, despite external pressures. These deniers are vital primary sources for understanding early medieval Bohemian statecraft and monetary development.
Artistry: The engravers of these deniers remain anonymous, characteristic of early medieval minting. Stylistically, the coins exhibit a provincial interpretation of contemporary Ottonian and Byzantine influences, common in Central Europe. The obverse typically features a highly stylized, diademed bust, often representing the ruler or St. Wenceslas, with a rudimentary legend. The reverse commonly displays a simple cross, a hand of God, or a church-like structure, often with mint or ruler's name, demonstrating an expressive yet unrefined artistic approach.
Technical/Grading: Grading this series requires careful consideration of its hand-struck nature. High-points for wear include the crown or diadem on the bust, the nose, and the central elements of the reverse cross or device. Planchets are frequently irregular, broad, and thin, often exhibiting minor cupping or off-center strikes, which can obscure parts of the legend. Weaknesses in striking pressure are common, leading to areas of flatness. Examples with full legends and well-centered devices are highly prized.