Katalog
| İhraççı | Kingdom of Bohemia |
|---|---|
| Yıl | 1003-1034 |
| Tür | Standard circulation coin |
| Değer | 1 Denier |
| Para birimi | Denier (935-1300) |
| Bileşim | Silver |
| Ağırlık | |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | 1210 |
| Referans(lar) | Cach#253 |
| Ön yüz açıklaması | |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı | |
| Arka yüz açıklaması | |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı | |
| Kenar | Smooth. |
| Darphane | |
| Basma adedi |
ND (1003-1034) - - |
| Numisquare Kimliği | 7055131650 |
| Ek bilgiler |
Historical Context: The Denier of Jaromir, issued between 1003 and 1034, dates to a turbulent period in the nascent Kingdom of Bohemia. Jaromir, a Přemyslid duke, experienced multiple depositions and restorations, reflecting intense geopolitical struggles between the Holy Roman Empire and Poland. This coinage, primarily from his third and longest reign, was crucial for asserting Bohemian sovereignty and economic control, despite external pressures. These deniers are vital primary sources for understanding early medieval Bohemian statecraft and monetary development.
Artistry: The engravers of these deniers remain anonymous, characteristic of early medieval minting. Stylistically, the coins exhibit a provincial interpretation of contemporary Ottonian and Byzantine influences, common in Central Europe. The obverse typically features a highly stylized, diademed bust, often representing the ruler or St. Wenceslas, with a rudimentary legend. The reverse commonly displays a simple cross, a hand of God, or a church-like structure, often with mint or ruler's name, demonstrating an expressive yet unrefined artistic approach.
Technical/Grading: Grading this series requires careful consideration of its hand-struck nature. High-points for wear include the crown or diadem on the bust, the nose, and the central elements of the reverse cross or device. Planchets are frequently irregular, broad, and thin, often exhibiting minor cupping or off-center strikes, which can obscure parts of the legend. Weaknesses in striking pressure are common, leading to areas of flatness. Examples with full legends and well-centered devices are highly prized.