See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

Denier in the name of Empress Helena Worms mint

Issuer Holy Roman Empire
Year 1039-1056
Type Log in to see details
Value Log in to see details
Currency Denier (843-1385)
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse script Latin
Obverse lettering Log in to see details
Reverse description A bold central cross divides the reverse field into four quadrants, enclosed within a beaded inner circle, consistent with the standard Salian-period denier format. The cross arms extend to the inner circle, and the surrounding area displays a circular Latin legend naming the mint. The overall execution is characteristic of the Worms mint workshop of the mid-eleventh century, with the design rendered in the flat, schematic style of hammered coinage of the period.
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage Log in to see details
Additional information

Helena was the wife of Henry III, whose reign saw aggressive reassertion of imperial control over ecclesiastical appointments — the very policy that would metastasize into the Investiture Controversy within a generation. Worms was among the imperial mints producing coinages in the empress's name during this period, a practice reflecting her formal role as co-ruler and regent rather than mere consort.

Kluge Kar#147 places this piece within a tight sequence of Salian dynasty deniers. The Worms mint attribution is based primarily on die-link analysis and stylistic comparison rather than documentary evidence.

YOU MAY ALSO LIKE