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| Emittent | Italy, Kingdom of |
|---|---|
| Jahr | 1039-1125 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | The reverse field is densely occupied by a two-line horizontal inscription naming the issuing emperor, arranged within a beaded inner circle against a flat field. The surrounding peripheral legend identifies the mint city of Lucca, with the Latin toponym and imperial name distributed around the circumference in bold Roman capitals. The layout follows the standard Lucchese denier type, with the mint name and ruler's name divided between field and legend. The die work reflects the rough but legible style typical of Italian imperial deniers of the late 11th to early 12th century. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Plain |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Lucca was among the most prolific minting centers in early medieval Italy, and its deniers bearing the imperial Henry monogram circulated so widely that later Lucchese coins continued imitating the same design for well over a century after actual imperial authority had faded. The attribution across three successive Henrys — III, IV, and V — reflects genuine die continuity rather than sloppy cataloging; the monogram type was deliberately maintained as a mark of commercial reliability in Tuscan markets.
Henry IV's turbulent relationship with the papacy during the Investiture Controversy did nothing to interrupt Lucca's output. The mint operated under practical mercantile imperatives that outlasted any particular political crisis.