Catalogus
| Uitgever | Luxembourg |
|---|---|
| Jaar | 1026-1047 |
| Type | Standard circulation coin |
| Waarde | Denier (1⁄240) |
| Valuta | Livre Tournois (963-1353) |
| Samenstelling | Silver |
| Gewicht | 1.12 g |
| Diameter | 16 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | L#1, Weiller#1, BV#1 |
| Beschrijving voorzijde | Cross of quartering with four globules surrounded by the legend between two pearled circles. |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | ✠ HEINRICVS |
| Beschrijving keerzijde | Pentastyle temple with round roof and stairs to the front, surrounded by legend and an outer girdle |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | ✠ LV ... nBVRC |
| Rand | |
| Muntplaats | |
| Oplage |
ND (1026-1047) - - |
| Numisquare-ID | 7534139570 |
| Aanvullende informatie |
Historical Context: This Denier, issued in Luxembourg from 1026-1047, bears the name of Henri II, Holy Roman Emperor (d. 1024). Its post-mortem striking under the Counts of Luxembourg, likely Giselbert, underscores the enduring imperial legitimization sought by nascent feudal powers. This coinage is foundational for Luxembourg, marking its earliest independent numismatic output and signifying the County's emerging economic and political identity within the Holy Roman Empire.
Artistry: The artistry of this Denier reflects the early Romanesque style prevalent in 11th-century numismatics. The anonymous engraver produced a robust, stylized design, drawing upon broader Ottonian imperial influences but with a distinct local character. The obverse typically features a prominent cross, encircled by the legend +HENRICVS IMPERATOR. The reverse commonly displays a simplified cross or architectural element, accompanied by the mint signature +LVXEMBORG, executed with strong, if unrefined, letterforms.
Technical/Grading: Technical attributes include a 1.12 gram, 16 millimeter silver planchet, often irregular in shape and thickness. Striking quality is rudimentary; off-center strikes and uneven pressure are common, leading to variable relief. High-points, such as the central cross or architectural details, frequently exhibit weakness. Legends can be incomplete or partially off-flan. Grading focuses on the preservation of the primary motifs and legibility of the legends, acknowledging the inherent crudeness of early medieval minting practices.