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| 表面の説明 | Crowned royal effigy in profile facing left, rendered in the crude, stylized manner typical of Salian-era hammered coinage. The bust is depicted with a prominent crown bearing pellet or bead ornaments, with the facial features summarily executed in low relief. A circular legend surrounds the effigy in the field, partially legible due to the irregular flan and die wear characteristic of early medieval Rhenish deniers. |
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| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ARGENTINA (Translation: Strasbourg.) |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Conrad II's reign saw aggressive reassertion of royal prerogative over the German church, and the Strasbourg mint operated under the city's bishop — a relationship that made episcopal mints simultaneously dependent on and politically entangled with the crown. Conrad's conflict with the higher German clergy over investiture precedents, which would not fully explode until his grandson Henry IV, was already simmering in administrative form during these years.
Kluge's cataloging of this type under the Carolingian series reflects the remarkable conservatism of Ottonian-Salian coinage, where design continuity across dynasties was deliberate policy rather than inertia.