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Denier - Casimir III the Great Kraków mint
| Emittent | Kingdom of Poland |
|---|---|
| Jahr | 1333-1370 |
| Typ | Standard circulation coin |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Central field occupied by a crowned Polish eagle displayed, rendered in a schematic, primitive hammered style characteristic of 14th-century Piast coinage. The crown surmounting the eagle's head is boldly struck and prominent. The eagle's wings are spread symmetrically and the body is depicted facing forward. The coin is enclosed by a toothed or crenellated inner border. No legend is present on this face. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | ND (1333-1370) |
| Zusätzliche Informationen |
Casimir III inherited a fractured Poland from his father Władysław I and spent much of his reign consolidating royal authority, codifying law, and — critically — reforming the coinage. The deniers struck at Kraków under his authority represent the first systematic attempt to impose monetary order on a kingdom that had suffered decades of fragmented, regionally inconsistent minting. He is the only Polish king to earn the epithet "the Great," and the monetary reform was no small part of why.
At 0.26 g, these are extremely thin flans, and die alignment is frequently erratic — not a production flaw unique to individual pieces but a structural characteristic of the Kraków workshop throughout this reign.