Danh mục
| Đơn vị phát hành | Salzburg, Bishopric of |
|---|---|
| Năm | 1041-1060 |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Pfennig |
| Tiền tệ | Pfennig (800-1500) |
| Chất liệu | Silver |
| Trọng lượng | |
| Đường kính | |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | Variable alignment ↺ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | Hahn Radas#112, Kluge Kar#522 |
| Mô tả mặt trước | Church with three towers. |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước | BALDWINS ARCHI |
| Mô tả mặt sau | Front bust. |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau | + S RVODBERTVS |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (1041-1060) - - |
| ID Numisquare | 5884560480 |
| Thông tin bổ sung |
Historical Context: This Denier was issued during Archbishop Baldwin II's (Baudouin) episcopate in Salzburg (1041-1060). This era, within the Salian Holy Roman Empire, saw power struggles between imperial authority and powerful ecclesiastical principalities. Salzburg, an Imperial Archbishopric, held vast territories and strategic importance. Coinage symbolized the archbishop's sovereignty and temporal influence, asserting his right to mint currency amidst these political dynamics.
Artistry: The Denier's design reflects the early Romanesque style, influenced by Ottonian and early Salian aesthetics. Mint workshops produced simplified, symbolic forms, not naturalistic representation. Typical Salzburg Deniers of this period often feature a stylized bust of the archbishop or Saint Rupert, the patron saint, on the obverse. The reverse commonly displays a cross, often with pellets or symbols, or a representation of the Salzburg Cathedral, accompanied by an abbreviated legend identifying issuer and mint.
Technical/Grading: Deniers from this period exhibit characteristic manufacturing traits. High-points for wear and strike quality typically include the archbishop's head or mitre, shoulders, and central elements of the reverse cross or architectural feature. Strikes are frequently off-center, leading to partial legends. Flan shapes are often irregular, and evidence of die clashing or light double striking is common. While silver purity was generally high, rudimentary striking technology meant full, crisp strikes are rare, even on well-preserved examples, often showing inherent production imperfections.