Denier - Baudouin

İhraççı Salzburg, Bishopric of
Yıl 1041-1060
Tür Standard circulation coin
Değer 1 Pfennig
Para birimi Pfennig (800-1500)
Bileşim Silver
Ağırlık
Çap
Kalınlık
Şekil Round (irregular)
Teknik Hammered
Yönlendirme Variable alignment ↺
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) Hahn Radas#112, Kluge Kar#522
Ön yüz açıklaması Church with three towers.
Ön yüz yazısı Latin
Ön yüz lejandı BALDWINS ARCHI
Arka yüz açıklaması Front bust.
Arka yüz yazısı Latin
Arka yüz lejandı + S RVODBERTVS
Kenar
Darphane
Basma adedi ND (1041-1060) - -
Numisquare Kimliği 5884560480
Ek bilgiler

Historical Context: This Denier was issued during Archbishop Baldwin II's (Baudouin) episcopate in Salzburg (1041-1060). This era, within the Salian Holy Roman Empire, saw power struggles between imperial authority and powerful ecclesiastical principalities. Salzburg, an Imperial Archbishopric, held vast territories and strategic importance. Coinage symbolized the archbishop's sovereignty and temporal influence, asserting his right to mint currency amidst these political dynamics.

Artistry: The Denier's design reflects the early Romanesque style, influenced by Ottonian and early Salian aesthetics. Mint workshops produced simplified, symbolic forms, not naturalistic representation. Typical Salzburg Deniers of this period often feature a stylized bust of the archbishop or Saint Rupert, the patron saint, on the obverse. The reverse commonly displays a cross, often with pellets or symbols, or a representation of the Salzburg Cathedral, accompanied by an abbreviated legend identifying issuer and mint.

Technical/Grading: Deniers from this period exhibit characteristic manufacturing traits. High-points for wear and strike quality typically include the archbishop's head or mitre, shoulders, and central elements of the reverse cross or architectural feature. Strikes are frequently off-center, leading to partial legends. Flan shapes are often irregular, and evidence of die clashing or light double striking is common. While silver purity was generally high, rudimentary striking technology meant full, crisp strikes are rare, even on well-preserved examples, often showing inherent production imperfections.

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