Catalogus
| Uitgever | Sweden |
|---|---|
| Jaar | 1020-1050 |
| Type | Standard circulation coin |
| Waarde | 1 Denier |
| Valuta | Denar (995-1050) |
| Samenstelling | Silver |
| Gewicht | 1.84 g |
| Diameter | 20 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | Variable alignment ↺ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) |
| Beschrijving voorzijde | Crowned bust facing left within quadrefoil surrounded by legend. |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | IIDNPO RE ANGLDENO |
| Beschrijving keerzijde | Long cross with triple crescent ends over quatrefoil, all surrounded by legend. |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | COI - DERL - EIIOI - LVID |
| Rand | Smooth. |
| Muntplaats | |
| Oplage |
ND (1020-1050) - - |
| Numisquare-ID | 1198359160 |
| Aanvullende informatie |
Historical Context: This anonymous Denier, struck in Sweden between 1020 and 1050, marks a pivotal period in early Swedish monetary history. Issued primarily during King Anund Jacob’s reign (c. 1022-1050), it signifies the continued development of a domestic coinage system, largely centered at Sigtuna. This era saw Sweden's transition from the Viking Age to a consolidated Christian kingdom, with coinage serving as a tool for economic exchange and royal assertion, despite its anonymity.
Artistry: The artistry of this Denier is anonymous, reflecting early medieval Swedish workshop practices rather than individual engraver attribution. Stylistically, it draws inspiration from contemporary Anglo-Saxon or German prototypes, notably Cnut the Great’s coinage, yet often exhibits a provincial interpretation. Common designs include various forms of crosses, often within a central field, sometimes with rudimentary symbols or an abbreviated, frequently illegible, legend. The absence of a named ruler or explicit portrait is a defining characteristic.
Technical/Grading: Weighing 1.84 grams and measuring 20 millimeters, this silver Denier possesses typical dimensions. High-points for wear or strike quality are generally observed on central design elements, such as a cross's intersection or raised symbolic motifs. Technically, early Swedish coinage from this period frequently displays irregularities, including uneven flans, off-center strikes, and variable striking pressure. These factors often result in partial or weakly struck legends and designs, necessitating careful evaluation of remaining details for preservation and clarity.