کاتالوگ
| صادرکننده | Corvey, Abbey of |
|---|---|
| سال | 1000-1125 |
| نوع | Standard circulation coin |
| ارزش | 1 Pfennig |
| واحد پول | Pfennig (833-1540) |
| ترکیب | Silver |
| وزن | |
| قطر | |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | Variable alignment ↺ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | Kluge Kar#411 |
| توضیحات روی سکه | Bust of a saint facing front in a grenetis, surrounding legend. |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | +SCS PETRVS |
| توضیحات پشت سکه | Three-towered building within a masonry pattern, legend above. |
| خط پشت سکه | Latin |
| نوشتههای پشت سکه | ✠ HERESBVRG |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1000-1125) - - |
| شناسه Numisquare | 7396803610 |
| اطلاعات تکمیلی |
Historical Context: This Denier anonyme, minted at Marsberg by the Abbey of Corvey (1000-1125), exemplifies the temporal power of prominent ecclesiastical institutions within the Holy Roman Empire. Corvey, a significant imperial abbey, held extensive minting rights (Regalrechte), a privilege indicative of its economic and political autonomy. The "anonyme" designation underscores the institutional authority of the abbey rather than a specific abbot, reflecting a period where such powerful entities acted as quasi-sovereign issuers, facilitating local and regional trade.
Artistry: The design, consistent with early medieval Germanic coinage, features simplified, abstract iconography. Engravers, largely unknown, worked within a stylistic tradition prioritizing symbolic clarity over naturalistic detail. Common designs for such anonymous issues often include a central cross on the obverse, sometimes with pellets or crescents, and a stylized architectural element, bust, or inscription on the reverse. Execution is generally robust but lacks the refined precision of later periods, characteristic of provincial mints of the era.
Technical/Grading: As a hammered coin, this denier often exhibits considerable variability in execution. Common strike qualities include irregular flan shapes, off-center strikes, and areas of weak impression, particularly along the legend or periphery. High-points susceptible to wear would typically be the center of the cross, the highest relief points of any stylized bust or architectural feature, and the design extremities. A well-struck example with a full, legible legend and minimal wear is highly desirable, though challenging to find given rudimentary minting techniques.