Katalog
| Emitent | Corvey, Abbey of |
|---|---|
| Rok | 1000-1125 |
| Typ | Standard circulation coin |
| Hodnota | 1 Pfennig |
| Měna | Pfennig (833-1540) |
| Složení | Silver |
| Hmotnost | |
| Průměr | |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | Kluge Kar#411 |
| Popis líce | Bust of a saint facing front in a grenetis, surrounding legend. |
|---|---|
| Písmo líce | Latin |
| Opis líce | +SCS PETRVS |
| Popis rubu | Three-towered building within a masonry pattern, legend above. |
| Písmo rubu | Latin |
| Opis rubu | ✠ HERESBVRG |
| Hrana | |
| Mincovna | |
| Náklad |
ND (1000-1125) - - |
| ID Numisquare | 7396803610 |
| Další informace |
Historical Context: This Denier anonyme, minted at Marsberg by the Abbey of Corvey (1000-1125), exemplifies the temporal power of prominent ecclesiastical institutions within the Holy Roman Empire. Corvey, a significant imperial abbey, held extensive minting rights (Regalrechte), a privilege indicative of its economic and political autonomy. The "anonyme" designation underscores the institutional authority of the abbey rather than a specific abbot, reflecting a period where such powerful entities acted as quasi-sovereign issuers, facilitating local and regional trade.
Artistry: The design, consistent with early medieval Germanic coinage, features simplified, abstract iconography. Engravers, largely unknown, worked within a stylistic tradition prioritizing symbolic clarity over naturalistic detail. Common designs for such anonymous issues often include a central cross on the obverse, sometimes with pellets or crescents, and a stylized architectural element, bust, or inscription on the reverse. Execution is generally robust but lacks the refined precision of later periods, characteristic of provincial mints of the era.
Technical/Grading: As a hammered coin, this denier often exhibits considerable variability in execution. Common strike qualities include irregular flan shapes, off-center strikes, and areas of weak impression, particularly along the legend or periphery. High-points susceptible to wear would typically be the center of the cross, the highest relief points of any stylized bust or architectural feature, and the design extremities. A well-struck example with a full, legible legend and minimal wear is highly desirable, though challenging to find given rudimentary minting techniques.