カタログ
| 発行体 | Corvey, Abbey of |
|---|---|
| 年号 | 1000-1125 |
| 種類 | Standard circulation coin |
| 額面 | 1 Pfennig |
| 通貨 | Pfennig (833-1540) |
| 材質 | Silver |
| 重量 | |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Kluge Kar#411 |
| 表面の説明 | Bust of a saint facing front in a grenetis, surrounding legend. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | +SCS PETRVS |
| 裏面の説明 | Three-towered building within a masonry pattern, legend above. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | ✠ HERESBVRG |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1000-1125) - - |
| Numisquare ID | 7396803610 |
| 追加情報 |
Historical Context: This Denier anonyme, minted at Marsberg by the Abbey of Corvey (1000-1125), exemplifies the temporal power of prominent ecclesiastical institutions within the Holy Roman Empire. Corvey, a significant imperial abbey, held extensive minting rights (Regalrechte), a privilege indicative of its economic and political autonomy. The "anonyme" designation underscores the institutional authority of the abbey rather than a specific abbot, reflecting a period where such powerful entities acted as quasi-sovereign issuers, facilitating local and regional trade.
Artistry: The design, consistent with early medieval Germanic coinage, features simplified, abstract iconography. Engravers, largely unknown, worked within a stylistic tradition prioritizing symbolic clarity over naturalistic detail. Common designs for such anonymous issues often include a central cross on the obverse, sometimes with pellets or crescents, and a stylized architectural element, bust, or inscription on the reverse. Execution is generally robust but lacks the refined precision of later periods, characteristic of provincial mints of the era.
Technical/Grading: As a hammered coin, this denier often exhibits considerable variability in execution. Common strike qualities include irregular flan shapes, off-center strikes, and areas of weak impression, particularly along the legend or periphery. High-points susceptible to wear would typically be the center of the cross, the highest relief points of any stylized bust or architectural feature, and the design extremities. A well-struck example with a full, legible legend and minimal wear is highly desirable, though challenging to find given rudimentary minting techniques.