Katalog
| Emitent | Bishopric of Basel |
|---|---|
| Rok | 999-1025 |
| Typ | Standard circulation coin |
| Hodnota | 1 Denier |
| Měna | Pfennig (999-1122) |
| Složení | Silver |
| Hmotnost | |
| Průměr | |
| Tloušťka | |
| Tvar | Round |
| Technika | Hammered |
| Orientace | |
| Rytci | |
| V oběhu do | |
| Reference | HMZ 1#186H |
| Popis líce | Cross with pellets in quarters. |
|---|---|
| Písmo líce | |
| Opis líce | ...O EPᔕ |
| Popis rubu | Square with pellets in corners. Pellet inside and pearled circle around. |
| Písmo rubu | |
| Opis rubu | BSA... |
| Hrana | |
| Mincovna | |
| Náklad |
ND (999-1025) - - |
| ID Numisquare | 7545024060 |
| Další informace |
Historical Context: This silver denier was issued by Adalbero II, Bishop of Basel, during his episcopate spanning 999 to 1025. This period falls within the Ottonian and early Salian eras of the Holy Roman Empire, a time when powerful ecclesiastical princes like Adalbero wielded significant temporal authority. The right to mint coinage, a regalian privilege, underscored the Bishopric of Basel's burgeoning economic influence and political autonomy within the empire, solidifying its status as an important regional power and trade hub at the crossroads of Europe.
Artistry: The engraver of this denier remains anonymous, typical for early medieval coinage. The artistry reflects the prevailing Ottonian stylistic school, characterized by its stylized, often schematic representations rather than naturalistic detail. Designs commonly feature a central cross on one side, symbolizing Christian authority, and an inscription naming the city or bishop on the other. While sometimes appearing crude by later standards, the designs are robust and symbolic, conveying essential information and authority through simplified forms and bold lettering.
Technical/Grading: As with many early medieval issues, technical strike qualities can vary significantly. Deniers of Adalbero II often exhibit irregular flans, weak striking in peripheral areas, and occasional off-center strikes, which are characteristic of the manual minting process. Key high-points prone to wear typically include the central elements of the design, such as the cross arms or any central bust features, and the outer legends. A well-preserved example would show clear, legible inscriptions and minimal flattening of the central motifs, despite inherent production irregularities.