目录
| 发行方 | Bishopric of Basel |
|---|---|
| 年份 | 999-1025 |
| 类型 | Standard circulation coin |
| 面值 | 1 Pfennig |
| 货币 | Pfennig (999-1122) |
| 材质 | Silver |
| 重量 | |
| 直径 | |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | HMZ 1#186G, Kluge Kar#493 |
| 正面描述 | Cross with pellets in quarters. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | ΛDΛLBERO EP |
| 背面描述 | Stylised temple in pearled circle. |
| 背面文字 | Latin |
| 背面铭文 | BAᔓILE G |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (999-1025) - - |
| Numisquare 编号 | 1165721600 |
| 附加信息 |
Historical Context: This Denier, issued by Bishop Adalbero II of Basel (999-1025), signifies a pivotal era. Adalbero was a powerful ecclesiastical prince within the Holy Roman Empire, his episcopate spanning the Ottonian-Salian transition. The right of coinage, a key regalian privilege, underscored the Bishopric of Basel’s growing temporal authority and economic importance as a strategic Rhine crossing point. These coins facilitated local commerce and asserted episcopal sovereignty.
Artistry: The design of this Denier (HMZ 1#186G, Kluge Kar#493) reflects prevailing early medieval numismatic style, characteristic of Ottonian-era mints. While the engraver remains anonymous, the artistry exhibits a robust, proto-Romanesque aesthetic. Typically, the obverse features a prominent cross, often a cross potent, encircled by the bishop’s name and title. The reverse displays the city name, BASILEA, sometimes within a stylized architectural motif or around a simpler central element, demonstrating localized interpretation.
Technical/Grading: Deniers of this era often present considerable technical variability. High-points prone to wear or weak strike typically include the central cross elements and finer legend details. Flan preparation was rudimentary, leading to irregular shapes and frequent off-center strikes. Die alignment varies widely, and strike pressure was often uneven, resulting in areas of flatness or incomplete inscription. Collectors should assess flan integrity, strength of central motifs, and legend legibility for optimal grading.