| صادرکننده | Antioch, Principality of |
|---|---|
| سال | 1136-1149 |
| نوع | Standard circulation coin |
| ارزش | Fractional Denier |
| واحد پول | Denier (1098-1268) |
| ترکیب | Copper |
| وزن | 1.3 g |
| قطر | 17 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | Schlumb#III:15 |
| توضیحات روی سکه | (S retrograde), cross with pellets in angles. |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | PRINCEPS |
| توضیحات پشت سکه | Altar-like design. |
| خط پشت سکه | Latin |
| نوشتههای پشت سکه | ANTIOCHIE |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1136-1149) - (fr) Autel à 4 pieds - ND (1136-1149) - (fr) Autel à 4 pieds Antioche à l`envers - ND (1136-1149) - (fr) Autel à 5 pieds - |
| شناسه Numisquare | 1308857670 |
| اطلاعات تکمیلی |
Historical Context: This Denier a l'autel Fractionnaire was issued in the Principality of Antioch under Raymond of Poitiers (1136-1149). Raymond, a pivotal Crusader prince, governed during a period of intense geopolitical flux. The coin's anonymous design, common for early Crusader issues, aimed to ensure broad acceptance, often emulating earlier Byzantine or local currency. As a copper fraction, it was crucial for everyday transactions within Antioch's dynamic economy.
Artistry: The engraver remains anonymous, typical of Crusader mints employing local artisans. The stylistic school blends Byzantine and local Levantine influences, resulting in a distinctive, often rustic aesthetic. The obverse prominently features the "altar" motif, a stylized representation interpreted as an altar, censer, or building, symbolizing Christian faith. The reverse typically displays a Latin or patriarchal cross, often with pellets or stars, asserting its Christian identity.
Technical/Grading: Struck in copper (1.3g, 17mm), this fraction exhibits common Crusader minting characteristics. High-points prone to wear include the altar's top and surface details, and the cross's central elements. Technically, these coins frequently display irregular flans, off-center strikes, and weak or uneven pressure, often resulting in partial legends or indistinct motifs. A well-centered specimen with clear altar and cross details is rare and highly prized.