کاتالوگ
| صادرکننده | Fraumünster, Abbey of |
|---|---|
| سال | 1045-1100 |
| نوع | Standard circulation coin |
| ارزش | 1 Denier |
| واحد پول | Denier (11th century) |
| ترکیب | Silver |
| وزن | 0.56 g |
| قطر | |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | HMZ 1#1-609a |
| توضیحات روی سکه | Church building. |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Anchor cross. |
| خط پشت سکه | |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1045-1100) - - |
| شناسه Numisquare | 7007436040 |
| اطلاعات تکمیلی |
Historical Context: This Denier originates from the Fraumünster Abbey in Zurich, an Imperial Abbey founded by Louis the German in 853. Minted between 1045 and 1100, it falls within the period of the Salian dynasty of the Holy Roman Empire, notably under Emperors Henry III and Henry IV. The right to mint coinage was a significant imperial privilege, underscoring the abbey's considerable economic and political autonomy within the Empire. These coins were vital for local commerce in Zurich, reflecting the powerful role of ecclesiastical institutions in medieval urban development and finance, especially during the height of the Investiture Controversy.
Artistry: The engraver of this Denier remains anonymous, typical for coinage of this early medieval period. Stylistically, it belongs to the early Romanesque tradition, characterized by its symbolic rather than naturalistic depictions. Designs commonly feature a central cruciform motif, often surrounded by the mint name (TUREGUM for Zurich) or a legend referencing the abbey or a patron saint. The artistry emphasizes clarity and religious iconography, with simple, bold lines and a focus on essential elements, reflecting the spiritual and functional purpose of the coin rather than elaborate aesthetic detail.
Technical/Grading: Struck in silver and weighing 0.56 grams, this Denier represents a small-flan, hand-struck issue. The technical quality of such coins is inherently variable. Common characteristics include irregular flan shapes, off-center strikes, and varying degrees of weakness in the strike, particularly towards the edges. High-points, such as the center of a cross or any raised features of a bust, would be the first areas to show wear or be weakly impressed. The light weight suggests a relatively thin planchet, which could contribute to less crisp details compared to more substantial contemporary issues.