目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Victory personified as a draped female figure advancing briskly to the right, depicted in flowing garments that convey a sense of dynamic movement. In her left hand she bears a long palm frond resting over her left shoulder, the traditional symbol of triumph. Her extended right hand reaches forward to crown a military standard planted upright on the ground before her with a victor's wreath. The composition is a classic Flavian expression of imperial military supremacy, with the legend VICTORIA AVGVSTI disposed around the field. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Vespasian struck this type during the consolidation phase following the Year of the Four Emperors, when projecting military legitimacy was a deliberate political calculation. The Victoria Avgvsti iconography was not decorative sentiment — it tied his authority directly to the Judaean campaign, culminating in the fall of Jerusalem in 70 AD, which he and Titus had jointly prosecuted before his accession.
RIC II.1 362 places this issue firmly within the reorganized Rome mint output of 72–73, a period when Vespasian was also rebuilding the Capitoline temple destroyed during the civil war fighting of 69.