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Denarius - Juba II Caesarea, no club behind Juba's head
| Emittent | Juba II |
|---|---|
| Jahr | 7 |
| Typ | Standard circulation coin |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Bare-headed, diademed bust of Juba II facing right, with elaborately curled hair rendered in the Hellenistic manner, a long diadem ribbon visible behind the neck. The portrait is rendered in a naturalistic style reflecting the king's Roman cultural affinities. The Latin legend REX IVBA curves around the right field, reading upward from the lower right. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Three-line Latin inscription CAESAREA and regnal year numeral R XXXII (year 32 of Juba II's reign) enclosed within a coiled serpent forming a circular border, itself surrounded by a wreath of laurel or oak branches. The serpent's head is visible at the lower portion of the coil. The overall composition is characteristic of the Mauretanian royal coinage and reflects both Hellenistic and African iconographic traditions. |
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| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Juba II ruled Mauretania as a client king under Augustus and later Tiberius — educated in Rome, fluent in Greek, and the author of now-lost encyclopedic works on natural history and geography. His coinage from Caesarea was produced under Roman oversight but with a distinctly Hellenistic character, reflecting a king who had spent his formative years in the imperial household after being paraded in Julius Caesar's triumph as a child. The absence of the club behind his head distinguishes this piece from the more common club-bearing issues, qualifying it as a variety against the principal references.