Katalog
| İhraççı | Mauretania |
|---|---|
| Yıl | 10 |
| Tür | Standard circulation coin |
| Değer | 1 Denarius |
| Para birimi | Denarius (25BC-40AD) |
| Bileşim | Silver |
| Ağırlık | 3.09 g |
| Çap | 18 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | CNNM#178, MAA#148, SNG Copenhagen#562 |
| Ön yüz açıklaması | Head of Juba as youthful Herakles right, wearing lion`s skin headdress. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı | REX IVBΛ |
| Arka yüz açıklaması | Lion skin set on club, bow to right, arrow to left; R XXX-V around. |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı | R XXX V |
| Kenar | |
| Darphane | |
| Basma adedi |
35 (10 AD) - XXXV - |
| Numisquare Kimliği | 7672023600 |
| Ek bilgiler |
Historical Context: This denarius, struck in 10 AD in Caesarea, Mauretania, belongs to the reign of Juba II, an influential Roman client king. Raised in Augustus's household, Juba was a highly educated scholar, married to Cleopatra Selene II. Appointed king by Augustus, Juba transformed Mauretania into a cultural and economic center, balancing Roman allegiance with his distinct identity. His coinage reflects this unique position, serving as both currency and royal propaganda.
Artistry: While the engraver remains anonymous, this denarius exemplifies the stylistic blend characteristic of Juba II's royal mints. The obverse typically features a finely rendered portrait of Juba II, often laureate or diademed, emulating contemporary Roman imperial portraiture but with a provincial hand. Reverse designs frequently incorporate elements reflecting Roman influence, such as deities, or local Mauretanian significance, demonstrating Juba's dual heritage and strategic importance.
Technical/Grading: Struck in silver, weighing 3.09 grams and measuring 18 millimeters, this denarius aligns with standard weight and size for Juba II's issues. Key high-points for grading include Juba II's hair, facial features, and any diadem or wreath on the obverse. On the reverse, clarity of any figures or symbols is paramount. A well-struck example exhibits strong, even pressure, good centering, and minimal die wear, ensuring clear rendering of both designs on a generally round flan.