Catálogo
| Emisor | Mauretania |
|---|---|
| Año | 10 |
| Tipo | Standard circulation coin |
| Valor | 1 Denarius |
| Moneda | Denarius (25BC-40AD) |
| Composición | Silver |
| Peso | 3.09 g |
| Diámetro | 18 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | Variable alignment ↺ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | CNNM#178, MAA#148, SNG Copenhagen#562 |
| Descripción del anverso | Head of Juba as youthful Herakles right, wearing lion`s skin headdress. |
|---|---|
| Escritura del anverso | Latin |
| Leyenda del anverso | REX IVBΛ |
| Descripción del reverso | Lion skin set on club, bow to right, arrow to left; R XXX-V around. |
| Escritura del reverso | Latin |
| Leyenda del reverso | R XXX V |
| Canto | |
| Casa de moneda | |
| Tirada |
35 (10 AD) - XXXV - |
| ID de Numisquare | 7672023600 |
| Información adicional |
Historical Context: This denarius, struck in 10 AD in Caesarea, Mauretania, belongs to the reign of Juba II, an influential Roman client king. Raised in Augustus's household, Juba was a highly educated scholar, married to Cleopatra Selene II. Appointed king by Augustus, Juba transformed Mauretania into a cultural and economic center, balancing Roman allegiance with his distinct identity. His coinage reflects this unique position, serving as both currency and royal propaganda.
Artistry: While the engraver remains anonymous, this denarius exemplifies the stylistic blend characteristic of Juba II's royal mints. The obverse typically features a finely rendered portrait of Juba II, often laureate or diademed, emulating contemporary Roman imperial portraiture but with a provincial hand. Reverse designs frequently incorporate elements reflecting Roman influence, such as deities, or local Mauretanian significance, demonstrating Juba's dual heritage and strategic importance.
Technical/Grading: Struck in silver, weighing 3.09 grams and measuring 18 millimeters, this denarius aligns with standard weight and size for Juba II's issues. Key high-points for grading include Juba II's hair, facial features, and any diadem or wreath on the obverse. On the reverse, clarity of any figures or symbols is paramount. A well-struck example exhibits strong, even pressure, good centering, and minimal die wear, ensuring clear rendering of both designs on a generally round flan.