Catalog
| Issuer | Mauretania |
|---|---|
| Year | 10 |
| Type | Standard circulation coin |
| Value | 1 Denarius |
| Currency | Denarius (25BC-40AD) |
| Composition | Silver |
| Weight | 3.09 g |
| Diameter | 18 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | CNNM#178, MAA#148, SNG Copenhagen#562 |
| Obverse description | Head of Juba as youthful Herakles right, wearing lion`s skin headdress. |
|---|---|
| Obverse script | Latin |
| Obverse lettering | REX IVBΛ |
| Reverse description | Lion skin set on club, bow to right, arrow to left; R XXX-V around. |
| Reverse script | Latin |
| Reverse lettering | R XXX V |
| Edge | |
| Mint | |
| Mintage |
35 (10 AD) - XXXV - |
| Numisquare ID | 7672023600 |
| Additional information |
Historical Context: This denarius, struck in 10 AD in Caesarea, Mauretania, belongs to the reign of Juba II, an influential Roman client king. Raised in Augustus's household, Juba was a highly educated scholar, married to Cleopatra Selene II. Appointed king by Augustus, Juba transformed Mauretania into a cultural and economic center, balancing Roman allegiance with his distinct identity. His coinage reflects this unique position, serving as both currency and royal propaganda.
Artistry: While the engraver remains anonymous, this denarius exemplifies the stylistic blend characteristic of Juba II's royal mints. The obverse typically features a finely rendered portrait of Juba II, often laureate or diademed, emulating contemporary Roman imperial portraiture but with a provincial hand. Reverse designs frequently incorporate elements reflecting Roman influence, such as deities, or local Mauretanian significance, demonstrating Juba's dual heritage and strategic importance.
Technical/Grading: Struck in silver, weighing 3.09 grams and measuring 18 millimeters, this denarius aligns with standard weight and size for Juba II's issues. Key high-points for grading include Juba II's hair, facial features, and any diadem or wreath on the obverse. On the reverse, clarity of any figures or symbols is paramount. A well-struck example exhibits strong, even pressure, good centering, and minimal die wear, ensuring clear rendering of both designs on a generally round flan.