Catálogo
| Emissor | Mauretania |
|---|---|
| Ano | 11 |
| Tipo | Standard circulation coin |
| Valor | 1 Denarius |
| Moeda | Denarius (25BC-40AD) |
| Composição | Silver |
| Peso | 3.22 g |
| Diâmetro | 17 mm |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | Variable alignment ↺ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | CNNM#383 var., MAA#157, SNG Copenhagen#565 |
| Descrição do anverso | Diademed head of Juba II right. |
|---|---|
| Escrita do anverso | Latin |
| Legenda do anverso | REX IVBA |
| Descrição do reverso | Diademed and draped bust of Ptolemy left. |
| Escrita do reverso | Latin |
| Legenda do reverso | R XXXVI |
| Bordo | |
| Casa da moeda | |
| Tiragem |
36 (11 AD) - XXXVI - |
| ID Numisquare | 3576603070 |
| Informações adicionais |
Historical Context: This silver denarius, struck in Mauretania in 11 AD, offers a tangible link to the reign of Juba II, the highly educated client king appointed by Augustus. A scholar, Juba II governed a strategically important kingdom, bridging Roman and African cultures. The coin's issuance, featuring his third wife, Ptolemy Caesarea, underscores his dynastic ambitions and Mauretanian administration's Romanization. This date firmly places the coinage within the early Imperial period, showcasing Mauretania's pivotal role.
Artistry: The anonymous engraver of this denarius worked within a stylistic tradition blending Roman imperial portraiture with Hellenistic influences, reflecting Juba II's intellectual background. The obverse typically presents a realistic portrait of Juba II, often laureate or diademed, conveying his regal authority. The reverse is notable for its depiction of Ptolemy Caesarea, Juba II's third wife. Her inclusion on the coinage is a rare and significant iconographic choice, emphasizing her status and potential role in succession.
Technical/Grading: Struck on a silver flan weighing 3.22 grams and measuring 17 millimeters, this denarius adheres to contemporary Roman coinage standards, with typical provincial variations. Key high-points for preservation include Juba II's hair and facial features on the obverse, and Ptolemy Caesarea's coiffure and delicate facial contours on the reverse. Strike quality varies; examples may show minor off-centering or weakness, particularly in legends or at the periphery, due to inconsistent die pressure or flan preparation.