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| Emittent | Uncertain Dacian tribes |
|---|---|
| Jahr | 48 BC |
| Typ | Standard circulation coin |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Two Gaulish carnyx (war trumpets) arranged in saltire at centre, their bell-shaped mouths terminating in stylised animal heads; an oval Celtic shield occupies the upper field between the crossed instruments, while a round shield with a central boss and radiate decoration fills the lower field. The composition closely imitates the reverse type of the Roman Republican denarius of Decimus Junius Brutus Albinus (moneyer, 48 BC), though rendered with the schematic, slightly distorted workmanship typical of Dacian barbarous imitations. A partial retrograde or garbled legend, approximating BRVTI F., is distributed in the field to left and right, preserved with varying legibility depending on the die state. |
| Reversschrift | Latin |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
These Dacian imitations of Roman Republican denarii proliferated during the first century BC as Roman coinage flooded across the Danube through trade and mercenary payments. The Albinus Brutus prototype — issued by the moneyer Aulus Postumius Albinus around 48 BC — was among the more frequently copied types, likely because it circulated heavily in the Balkans during Caesar's campaigns. Dacian silversmiths were technically capable but working outside any centralized mint authority, producing pieces that range from near-faithful copies to wildly abstracted versions within the same apparent workshop sequence.