カタログ
| 発行体 | Kyiv, Principality of |
|---|---|
| 年号 | 1362-1394 |
| 種類 | Standard circulation coin |
| 額面 | Penyaz (1) |
| 通貨 | Denga |
| 材質 | Silver |
| 重量 | 0.42 g |
| 直径 | 11 mm |
| 厚さ | 0.4 mm |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Coin alignment ↑↓ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 |
| 表面の説明 | Pseudo-Arabic legend, possibly imitating title al-sultan al-a`adil, with ornament. AR Imitation of Juchid AR dang. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Pseudo-Arabic legend. |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | Plain |
| 鋳造所 | |
| 鋳造数 |
ND (1362-1394) - - |
| Numisquare ID | 4808429860 |
| 追加情報 |
Historical Context: The Denaras of Vladimir Olgerdovich, struck in Kyiv between 1362 and 1394, represents a pivotal era in Ukrainian history. Vladimir, son of Algirdas of Lithuania, ruled Kyiv as a semi-autonomous prince following the Grand Duchy's expansion into Ruthenian lands. This coinage marked the re-establishment of local monetary production in Kyiv after centuries, signifying both Vladimir's assertion of authority and the economic integration of the region within the Lithuanian sphere of influence. These issues are crucial for understanding the political and economic landscape of late medieval Kyiv.
Artistry: The artistic execution of this denaras reflects the practicalities of medieval minting and the stylistic conventions of the era. While no specific engraver is known, the design likely emerged from local workshops, possibly influenced by Byzantine or early Lithuanian iconography. Given the diminutive 11mm flan, designs are typically simplified, often featuring a stylized standing figure (perhaps the ruler or a saint) on the obverse, and a compact symbol like a cross or a simplified inscription on the reverse. The overall aesthetic is utilitarian, prioritizing legibility over intricate detail.
Technical/Grading: Struck on a thin silver flan weighing 0.42 grams, this denaras typically exhibits characteristics common to medieval hammered coinage. High-points, such as the head or extremities of any figure, or the center of a cross, are often weakly struck or show early wear. Technical strike qualities vary widely; off-center strikes, irregular flan shapes, and uneven pressure are common. The small size and low relief contribute to a general lack of crispness. Specimens with full legends and well-defined central motifs are highly prized due to these inherent production challenges.