Bronze with the Seated Goddess Class V

Đơn vị phát hành Carnutes
Năm 40 BC - 30 BC
Loại Standard circulation coin
Mệnh giá
Tiền tệ
Chất liệu Bronze
Trọng lượng 3.29 g
Đường kính 16 mm
Độ dày
Hình dạng Round (irregular)
Kỹ thuật Hammered
Hướng Variable alignment ↺
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo LT#7058, DT#2469
Mô tả mặt trước Male head right, legend in front of face and behind neck, beaded circle.
Chữ viết mặt trước
Chữ khắc mặt trước PIXTILOS
Mô tả mặt sau Figure seated and draped on the left, the left arm leaning on the backrest, in the right hand an ornament resembling three snakes; in front, volute in the shape of an esse; indeterminate object below the exergue line.
Chữ viết mặt sau
Chữ khắc mặt sau
Cạnh
Xưởng đúc
Số lượng đúc ND (40 BC - 30 BC) - -
ID Numisquare 3660436530
Thông tin bổ sung

Historical Context: The Bronze with the Seated Goddess Class V, issued by the Carnutes between 40 BC and 30 BC, emerges from a pivotal transitional era following Caesar's conquest of Gaul. The Carnutes, a central Gallic tribe significant in the Vercingetorix uprising, navigated increasing Roman influence during this period. This coinage likely functioned as local utility currency, symbolizing lingering Gallic identity and economic autonomy during the Roman Triumviral period, even as Roman administrative structures began to solidify across the region.

Artistry: The design featuring a Seated Goddess, designated Class V, exemplifies late Gallic numismatic art. While specific engravers are unknown, the stylistic school often combined traditional Gallic abstraction with nascent Roman naturalism. This seated figure likely represents a local Gallic deity, perhaps a Mother Goddess or a protective spirit, whose imagery resonated with the Carnutes. The design subtly reflects the cultural synthesis occurring as indigenous beliefs encountered Roman iconographic conventions.

Technical/Grading: Struck in bronze, this coin measures 16 millimeters and weighs 3.29 grams, standard specifications for a utilitarian denomination of the period. Technical strike quality is often variable; irregular flans and off-center strikes are common due to contemporary manufacturing processes. High-points for wear and strike assessment typically include the goddess's head, the folds of her drapery over her knees, and any attributes she might hold. Well-struck examples show clear delineation of these features, though full, crisp detail across the entire flan is rare.

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